Of all the things we value in life, none seems to permeate civilization so much as gemstones and jewelry.
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As far back as history remembers, precious metals and minerals have adorned us all.
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Not a grave can be excavated which contains anyone of significance that does not also contain the finest ornaments of its occupant's bones.
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In the case of the diamond, carbon is key. Depending on its location in the Space-Time Continuum, carbon can behave as anything from soot to snails.
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Pressure and time, until recently, were necessary to produce this particular molecular oddity.
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Now any old laboratory with the necessary array of multi-billion dollar equipment can pump them out by the minute, I assume.
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I believe that artists, like carbon, can also be influenced by pressure and time....
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...unlike diamonds, however, an artist will never be easy to synthesize quickly.
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After a diamond is formed, it must be transformed by a skilled master to become a priceless object. Prior to cutting facets, its just a weird rock.
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In this particular instance, the artist alone injects worth to be determined later by skilled appraisers.
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Craftsmanship is important, but so is the artisan's name. Big name? Viola! Money.
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I have figured out a process by which I can transform mere pocket change into treasure fit for royalty. Like the alchemists of the middle ages, hellbent on discovering a method for transmuting lead into gold, I have stumbled upon an interesting solution for adding value to our money. I've decided to turn it into art.
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Pressure+Time=TED STANKE, Artist: Transmutationist of Money
Remember the name. It might be worth something someday.
1 comment:
fun being a jeweler isn't it? Jewelers have been questioning the perceived value of material for quite awhile now. I enjoy your take on it.
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